Simple Travels: Wonderspaces San Diego 2018

I didn't get to observe this one up close for very long, but I think it's meant to be experienced at a distance to grasp the overall illusion of the piece. It somewhat reminds me of Karina Smigla-Bobinski's ADA, an analog installation from last year that bridged computerized components with everyday interaction. Similarly, Martin Messier's Impulse incorporates a technological twist by imitating the functioning of the brain, particularly the propagation of nerve impulses. The eerie, erratic rhythm and pulsing pattern of lights elicit an electrifying effect on the sensory systems, appealing especially to auditory and visual senses.

This is remarkably similar to last year's Daydream V2 in its trance-inducing, audiovisual concept. I didn't get to capture an aesthetically pleasing shadow shot this time, but it's essentially the same view and experience. It's not as trippy or psychedelic as Nonotak's work from the previous year, but the optical illusions are nonetheless stimulating to a new spectator.

This is possibly the least stimulating work in the exhibit simply because it's not quite as captivating as others. While Wanitzek beautifully crafted this whimsical forest that bridges fantasy and reality, it didn't seem to fit in a museum as riveting and interactive as Wonderspaces.

Submergence is clearly the busiest attraction for millennials and for good reason. I'm sure many of you know by now how light installations make me feel, so I was definitely most looking forward to experiencing this ethereal work. Squidsoup's immersive walkthrough piece simulates the collision of virtual and physical worlds through its gradually intensifying display of lights. The escalation of the evolving piece was accompanied by chiming melodies and dynamic movements. My boyfriend captured these photos showcasing the distinct phases of the 12-minute work in which each elicits different elements and atmospheres, making this installation quite a compelling work of art. It was unquestionably my favorite piece from both last year's and this year's exhibits, and I honestly wish I had more time to walk through this stunning scene.      

Into the Breath is a unique and brilliant take on recycled nomadic art. Badessi's style is inspired by his fascination with travel, culture, and common objects, all of which are embodied in this piece. He designs his abstract creations to be mobile and transportable to represent the expression of freedom, imagination, and curiosity that comes with traveling. This creation, in particular, is a Chinese culture-influenced work that mimics the inside of a dragon's breath using glistening cellophane pieces and Chinese take-out bags. Wandering through this vibrant balloon-like tunnel was surely an abstract space to experience.